One night in the early 1930s, Grosz discovered an iron pipe at his front door with a note attached.
Yet most Germans dismissed Grosz’s anti-Nazi work as hyperbolic and offensive to Christianity, a feeling that far-right activists exploited to distract from what he was saying. Bpk Bildagentur / Nationalgalerie, SMB / Art Resource, NY / Artists Rights Society / Estate of George Grosz
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